". . . .the novel is like a tapestry. It's a long and painstaking process, and I have to work on the details and create an alternative world, and it has to, be as.full and rich as I can make it. A short story is like painting a watercolor--the challenge is to have a lightness of touch. What I'm working with is nuance and subtlety and ellipses--what I'm leaving out is important as what I'm putting in. I have to work with the power of suggestion and I love the form because of this.
from "An Interview with Chitra Banerjee Divakaruni" by Sarah Anne Johnson The Writer's Chronicle September 2002
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