Saturday, July 23, 2005
The Aim of Every Artist is to Arrest Motion
The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. (William Faulkner as quoted in the THE QUOTABLE SOUTH edited by Al Dixon and published by Hill Street Press)
Friday, July 22, 2005
Dialogue
"I was the first reader for an editor of one of the biggest companies in the business. For two years, while writing my own first novel, I dropped by an editor's office once a week to pick up several manuscripts, mostly novels, took them home, read them, and prepared a 'reader's report' including a brief plot summary and a paragraph giving my recommendation as to whether it was a 'hit' or a 'miss' and why. . . .
"I often saw the editor I worked for wander over to the slush pile table and riffle quickly through half a dozen manuscripts before handing me one to read. I was mystified: What could she possibly see from ten seconds of flipping pages? When I asked her, she answered, 'I'm looking for lots of dialogue.' Questioned further, she explained that one of the major flaws in novels from beginning writers was too much narration, not enough lively conversation between characters. Dialogue is vital in getting a reading from an unagented script, not just well written dialogue, but plenty of it."
--Confessions of a First Reader, by Roy Sorrels
"I often saw the editor I worked for wander over to the slush pile table and riffle quickly through half a dozen manuscripts before handing me one to read. I was mystified: What could she possibly see from ten seconds of flipping pages? When I asked her, she answered, 'I'm looking for lots of dialogue.' Questioned further, she explained that one of the major flaws in novels from beginning writers was too much narration, not enough lively conversation between characters. Dialogue is vital in getting a reading from an unagented script, not just well written dialogue, but plenty of it."
--Confessions of a First Reader, by Roy Sorrels
Thursday, July 21, 2005
Poetry: Wislawa Szymborska (9/11)
I read a Reuter's story about Poland's Nobel Prize-winning poet Wislawa Szymborska's moving tribute to the victims of Sept. 11th in the United States and thought the poem "A photograph from Sept. 11" extremely moving.
A PHOTOGRAPH FROM SEPT. 11
They jumped from the burning stories, down
-- one, two, a few more
higher, lower.
A photograph captured them while they were alive and now preserves them
above ground, toward the ground.
Each still whole
with their own face
and blood well hidden.
There is still time,
for their hair to be tossed,
and for keys and small change
to fall from their pockets. They are still in the realm of the air, within the places
which have just opened.
There are only two things I can do for them
-- to describe this flight
and not to add a final word.
I'm a fan of Szymborska's work, Poems, New and Collected: 1957-1997 and thought the poem A Photograph from Sept. 11 extremely moving, especially what I felt was a powerful ending. A friend had a differing opinion about the ending. The poem reminds me of Chekhov. He was a master at painting a picture without the editorials. In the same way, I felt Ms. Szymborska's decision to describe and not comment increased the power of the poem.


Poems, New and Collected: 1957-1997
A PHOTOGRAPH FROM SEPT. 11
They jumped from the burning stories, down
-- one, two, a few more
higher, lower.
A photograph captured them while they were alive and now preserves them
above ground, toward the ground.
Each still whole
with their own face
and blood well hidden.
There is still time,
for their hair to be tossed,
and for keys and small change
to fall from their pockets. They are still in the realm of the air, within the places
which have just opened.
There are only two things I can do for them
-- to describe this flight
and not to add a final word.
I'm a fan of Szymborska's work, Poems, New and Collected: 1957-1997 and thought the poem A Photograph from Sept. 11 extremely moving, especially what I felt was a powerful ending. A friend had a differing opinion about the ending. The poem reminds me of Chekhov. He was a master at painting a picture without the editorials. In the same way, I felt Ms. Szymborska's decision to describe and not comment increased the power of the poem.
Poems, New and Collected: 1957-1997
Wednesday, July 20, 2005
Don't Write Stage Directions
"Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, telling us how the character said it, or whether or not she moved to the couch isn't going to aid the case. We might understand better what the character means, but we aren't particularly going to care." (David Mamet)
Tuesday, July 19, 2005
Challenged by a Conflict
Terry Brook’s Rule #3: A PROTAGONIST MUST BE CHALLENGED BY A CONFLICT THAT REQUIRES RESOLUTION.
Conflict is necessary in every book because that's what generates concern for and interest in our characters. The more complex and overwhelming the threat to a protagonist, the better the opportunity for the author to create a compelling conflict and a dramatic resolution. Of course, you can overdo this. Too many threats make the story unbelievable. Too much conflict renders it unrealistic. As with all things, you have to find a balance that works.
From SOMETIMES THE MAGIC HAPPENS by Terry Brooks.
Conflict is necessary in every book because that's what generates concern for and interest in our characters. The more complex and overwhelming the threat to a protagonist, the better the opportunity for the author to create a compelling conflict and a dramatic resolution. Of course, you can overdo this. Too many threats make the story unbelievable. Too much conflict renders it unrealistic. As with all things, you have to find a balance that works.
From SOMETIMES THE MAGIC HAPPENS by Terry Brooks.
Monday, July 18, 2005
Finding Time to Read
I never understand when people say they don't have time to read. They're lying. It's easy to have the time; just don't watch television and live alone." (John Waters)
Sunday, July 17, 2005
Writing a Novel is like Building a Wall Brick by Brick
I quit writing if I feel inspired, because I know I'm going to have to throw it away. Writing a novel is like building a wall brick by brick; only amateurs believe in inspiration. (Frank Yerby)
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