Judging by their fulsome endorsements on the jackets of so many novels, it's apparent that some critics don't get out much. To blurb-bestowers, no work is ever just moderately entertaining. Books are "captivating," "enthralling," "sprawling," and even "festooning." Maybe I'm just naive, but when I read a book that's billed as "masterpiece of savage comedy," I expect something like
Wise Blood or
Loved One. "Riveting from first page to last" is a description that gets my hopes tip: it promises at least the intensity of
Crime and Punishment, and a lot more than
Babbitt. Obviously, I deal with some disappointment. I guess honesty doesn't make good jacket copy, or we'd see more blurbs like this:
"A dense book in which very little happens."
"A well-written but depressing novel, lacking in excitement what it makes up for in style.
As far as outward versus inward fiction, I think that introspection is here to stay. We're an inward-looking society, and despite what Tom Wolfe says, that's not entirely a bad thing, either for the culture or for the novel as an art form. Many of us. . .actually enjoy all the navel gazing.
from "Looking Up from the Navel" by Betty Smartt Carter,
Books and Culture, July/August 2002.
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