The Thinking Period

For me, it begins with just thinking about what I want to write-the plot, characters, setting, mood, pacing, point of view, twists and turns, thematic structure, anything and everything that has to do with the story. I have learned it is a process I cannot rush. Sometimes it goes quickly and sometimes it takes forever. Think of it as a percolation period, when you let your ideas brew and the flavor of your story build.

Lots of ideas occur to me while this is going on. I don't write them down. I don't write anything down-except for names, which go on a name list I carry with me everywhere. But nothing else. It's a firm rule. I used to think that if I got an idea, I should write it down immediately so that I wouldn't lose it. Sometimes I would wake in the middle of the night with brilliant ideas that I would dash down on slips of paper so they would be saved for when I awoke the next morning. What happened was that either I couldn't make sense of them or they turned out to be not so brilliant after all. So I've changed my thinking on this. If an idea doesn't stick with me for more than twenty-four hours, it probably wasn't all that hot in the first place.

Anyway, this thinking period-this dream time-is crucial to everything that happens later, but particularly to the construction of my outline. I want to be able to picture my story in images before I try to reduce it to mere words. I want to think about the possibilities. Everyone asks a writer where he gets his ideas. You've already seen the chapter on that. The truth is that coming up with ideas is easy; it's making up the stories that grow out of them that's hard.

from Sometimes the Magic Works by Terry Brooks